Sunday, December 15, 2013

Dickensfest 2013

2013 marks the 170th anniversary of the publication of Charles Dickens' classic Christmas tale, A Christmas Carol.

John Leech illustration of Fezziwig's Christmas party (1843) 

So here at Holiday Film Reviews,  ye olde bloggers have decided to celebrate with another blog-a-thon of Dickensian entertainments over the next week (since A Christmas Carol was first published on the 17th of December 1843.)



As you may recall, we did a Dickensfest blog-a-thon last year.  Here's a listing of our posts from "Chirstmas Past":

A Christmas Carol (1910) 

* Mickey's Christmas Carol

* A Christmas Carol (1984)

* Family Ties:  A Keaton Christmas Carol

* An American Christmas Carol (written by guest blogger Joanna Wilson of ChristmasTVHistory.com)

* Scrooged (written by guest blogger Ian Rennie)

* Blackadder's Christmas Carol

* The Six-Million Dollar Man:  A Bionic Christmas Carol 

* Saturday Night Live - Danny Devito (1988) : "Bankrupt Scrooge"

There are so many adaptations that we thought we'd share a few more with all of you this week.  


We might also throw in some examples of productions that use Dickens himself as a character or aren't strictly adaptations of the original story.





We hope you enjoy!

Thursday, December 12, 2013

Batman: The Brave and the Bold: "Invasion of the Secret Santas!"


Red Tornado:"I am lacking Christmas Spirit."
Batman:"It's overrated."


After a brief fight with some bad guys at a Christmas bowling tournament, Blue Beetle (Will Friedle) invites Batman (Dedrich Bader) to spend Christmas Eve dinner with him.   Batman rebuffs the offer saying, "Crime doesn't take a holiday, and neither do I." Batman is not a huge fan of the holiday season, since his parents were murdered in front of him on Christmas night.

Meanwhile, android superhero Red Tornado (Corey Burton) is also having trouble getting into the holiday spirit, despite extensive research and home decorating.   Red Tornado has never celebrated the holiday before and longs to experience the "tingling sensation" of good cheer.


Batman and Red Tornado's search for Christmas cheer is rudely interrupted when a villain called Fun Haus (Gary Anthony Williams) unleashes an army of evil robot Santas and dangerous toys on the unsuspecting citizens of Gotham City.


Red Tornando and Batman join forces to stop Fun Haus, but can even their combined might save Christmas, let alone their Holiday spirit?  


J.A. Morris says:
This is one of my favorite modern Christmas episodes.  I've always been a big fan of comic books and superheroes. Batman: The Brave and the Bold was a great show and a reminder that Batman doesn't always need to be grim and gritty.  There should always be room for "Fun Batman," and this episode is lots of fun.  Any Christmas episode that features Batman riding a reindeer while chasing down a sleigh driven by a robot Santa Claus is a classic in my book!


But it's not all laughs.  We learn that Batman doesn't celebrate Christmas because that's the day his parents were gunned down.  Their deaths are shown via flashback and it's a very powerful moment in for show aimed at children.


The Red Tornado's desire to learn about the Holiday season (and become more human) was very touching. The "robot who wants to be human" is a plot that's been done many times, but it's handled nicely here.  Veteran voice actor Corey Burton does a great job portraying Red Tornado.


There are also some nice references to other classic Christmas programming.  We get a cool piano jazz holiday tune on the soundtrack that's reminiscent of Vince Guaradi's Charlie Brown Christmas soundtrack.

Fun Haus is a new villain  (his appearance is based on an old comic villain named Toyman) and he makes for a great Christmas antagonist.  His "evil" toys and robot St. Nicks add to the Yultide mayhem.

One note of caution: Some very young children may be frightened or saddened by the robot Santas and their onscreen destruction.


"Invasion of the Secret Santas!" (yes, the title has an exclamation point!) is available on DVD & Blu Ray and also streams on Netflix and Amazon instant video.

It's been part of my annual Christmas viewing ever since 2008.  It contains a great mix of action, comedy and Holiday sentiment.

J.A. Morris' rating:

 





4 candy canes!

RigbyMel says: 
This is a great Christmas episode of a great series.   Part of what makes the whole Batman: The Brave and the Bold series so fun in general is the sense of humor and fun that prevailed in and around the great action sequences.


This Christmas episode is no exception, and might even be a notch above the show's usual high "Fun Batman" standards.  


The sense of fun is underscored by the many meta-awesome references that are sprinkled like Christmas ornaments throughout the show.


Red Tornado is shown teaching archaeology at a local college a la Indiana Jones.  Fun Haus' first ploy to attract Batman's attention involves flying saucers and makes me think of Santa Claus Conquers The Martians.   The evil robot Santas evoke several holiday themed Doctor Who episodes.  The theft of Christmas presents angle is reminiscent of the Grinch.


But don't think that this is just an arch collection of references, this episode really has heart as well.  Red Tornado's quest to experience the "tingling sensation" brought on by the Christmas spirit is quite touching.  He even goes so far as to give Batman a "World's Greatest Detective" mug (referencing Batman's first appearances in Detective Comics as well one of the monikers by which he is known). This is probably my favorite moment in the whole episode.


Getting to see Batman riding a reindeer is pretty awesome too, though.  



The fun and heart are also mixed with pathos as we learn of the reason for Batman's dislike of the holiday season.  


The range of emotions, great action sequences and the sense of wonder underlying this episode make it well worth adding to your annual holiday viewing.  Highly recommended.

Rigbymel's rating:








4 candy canes!

Wednesday, December 11, 2013

Sting: A Winter's Night ... Live from Durham Cathedral

Premiered 26 November 2009

This 2009 special is a collection of wintry songs, ancient and modern as performed by Sting and a small army of around 35 musicians.  It was filmed in Durham Cathedral in the north of England.


As befits the setting, the program includes a mix of traditional songs such as "Soul Cake" and "Gabriel's Message" and interweaves them with more modern settings of ancient texts such as Peter Warlock's "Balulalow."   There are also a few re-workings of original songs from Sting's back catalog.  

RigbyMel says:

Whether or not one enjoys this special is going to have a lot to do with whether or not one enjoys Sting as a performer.   I happen to be fan and I think his musicianship shines in this special.


One of the concert's highlights is a beautiful arrangement of  "Christmas At Sea"  (a setting of a Robert Louis Stevenson poem). It's interwoven with a Scots Gaelic counter-melody called "Thograinn Thograinn" performed by harpist Mary MacMaster.


The lilting "Burning Babe" and the Appalachian-tinged "Cherry Tree Carol" are also standouts in an overall great performance.  The one number that sticks out like a sore thumb is "Cold Song", which has a good pedigree, as it was written by Henry Purcell, but doesn't really sit well in Sting's vocal range.  That being said, as a music history geek, I appreciate the ambition and breadth of this program.


The talented musicians and beautiful architectural setting make for excellent viewing and listening.  I also like the fact that many of the songs are NOT ones that regularly pop up on your average 24-hours a day 7 days a week Christmas radio station.


This is a special that I seem to return to and enjoy each year and recommend to Sting fans and music geeks.

RigbyMel's rating:






 3 and a half candy canes


J.A. Morris says:

Unlike my co-blogger, I'm not a big Sting fan.  The Police were one of the favorite bands of my youth, but Sting's solo career has been inconsistent in my opinion.  But I enjoyed A Winter's Night. It's feels more like a folk concert or a musicology seminar than just another "Sting concert".


Not every song performed here is explicitly a "Christmas Song", but it contains enough references to the holiday to qualify as a "Christmas" concert.  Sting opens with "Gabriel's Message," a traditional Christmas song he first recorded back in 1987.  I actually enjoyed this version better.  The string section incorporates the melody of "God Rest Ye Merry Gentleman" into "Soul Cake."  I share RigbyMel's enthusiasm for "Christmas At Sea".  There's something hauntingly beautiful about hearing someone sing in a dying language like Scots Gaelic.  A high point of the concert.


If I have any problems with A Winter's Night, it's the pacing.  I've been to lots of concerts in my life, and the decision of when to play songs can make or break a concert.  I first saw this when it was featured on PBS's Great Performances series.  The performance ended with a rousing rendition of "I Saw Three Ships."  It gets the crowd dancing and clapping, a clog-dancer comes out and gets the fans even more excited.  I was even dancing a bit myself watching on tv! 


However, the version presented on DVD has one more song after that, "You Only Cross My Mind In Winter."  Not a bad song, but it's a much more subdued than "Three Ships" and has a major effect on the ending.  It didn't ruin the concert, but it's a misstep by a master showman.


A Winter's Night is an enjoyable concert recording.  Since its release, it has been something we watch near the beginning of every holiday season, and we often have it playing as "background music" while we put up Christmas decorations.  It's recommended, even for folks who aren't diehard Sting fans.

J.A. Morris' rating:







3 candy canes.

Black Nativity


Premiered November 27, 2013.

Langston Cobbs (Jacob Latimore) lives in Baltimore with his single mother Naima (Jennifer Hudson).  A few days before Christmas, they receive an eviction notice.


Naima tells Langston she will have to work during the holidays and that he will spend Christmas in New York with his grandparents, whom he has never met.


As soon as Langston gets off the bus in Times Square, his backpack is stolen.


He winds up in jail, wrongly accused of stealing a wallet.  Langston meets a man in jail named Tyson (Tyrese Gibson), who senses that Langston isn't really "criminal material".  He's picked up by his grandfather, Reverend Cornell Cobbs (Forest Whitaker), who is the pastor of a Harlem church.

Langston thinks his grandparents' house is "like a museum"
Langston isn't interested in making nice with his grandparents.  He's angry at them for living in relative opulence while he and his mother are facing eviction.  But Langston's grandmother Aretha (Angela Bassett) tries to reach out to him.  Langston's grandfather is a bit more distant but shows him a gold watch he was given by Martin Luther King Jr.


Langston decides to steal the watch and sell it to the local pawn shop to get money to go home to Baltimore and help his mother. This doesn't work out, but he gets another idea when he encounters Tyson again.  (Tyson works at the pawn shop, trying to better himself.)   Langston asks him for a gun, Tyson says to come back on Christmas Eve.


But Christmas Eve is also the night of Rev. Cobb's annual performance of the Black Nativity.  Langston is expected to attend.   The evening winds up being full of surprises and (perhaps) some divine intervention.

J.A. Morris says:

I enjoyed Black Nativity more than I expected.  R & B artist Jacob Latimore holds his own against acting heavyweights like Angela Bassett and Forrest Whitaker.  Bassett is especially good here.


We can feel Aretha's frustration as she tries to strike the balance between Cornell's pride and Langston's bitterness. Jennifer Hudson does more singing than acting in the film, but she believably conveys Naima's love for her son and conflicted feelings about her parents.  Veteran character actor Vondie Curtis-Hall is also good in a small role as a Harlem pawnbroker.

It's also refreshing to set the film in Harlem.  It's a part of New York City we don't often see in movies.

The main problem (if you consider it a problem) is that lots of the plot twists are detected before they occur.  If you've seen lots of Christmas movies (like we have), you will see which way the wind is blowing.  There's a young couple named Maria (Grace Gibson) and Jo-Jo (Luke James) who are obviously stand-ins for a certain couple who had trouble finding lodging in ancient Bethlehem.  Mary J. Blige, listed in the credits as "Platinum Fro",  plays a character who saves Langston from walking into traffic.  She plays an angel in Langston's dream sequence...or is she a real angel?


And it's not a spoiler to say that one or more of the characters will have a spiritual awakening on Christmas Eve.

I'm not a big fan of musicals.  But most of the songs here are done in the style of hip-hop and R&B, which made it more palatable to my ears.  Hudson's vocals are as strong as you would expect.  Bassett and Whitaker aren't known as singers, but Black Nativity is a reminder that they have very good voices.    And while his acting was fine, I found Latimore's auto-tuned vocals to be weak.  I can't stand auto-tuning.


Black Nativity is  a solid, entertaining Christmas movie, worth checking out in theaters while it's still out there.

J.A. Morris' rating:





3 candy canes.

RigbyMel says:

As J.A. Morris says,  this is an enjoyable, if somewhat predictable holiday film.


It is very loosely based upon a play by Langston Hughes.  The primary resemblance to that work is the bits of the Nativity play we see being staged at Rev. Cobbs' church on Christmas Eve.   There are also some great references to other works by Hughes including an effective recitation of his poem "A Dream Deferred." If nothing else, this film can serve as a great introduction to the works of Hughes for the uninitiated.


I particularly enjoyed the gospel choir numbers performed in the church and would have liked to see more of this style of music than the auto-tuning we got in a lot of the rest of the film.  (There were some great rap/hip hop interpolations in there as well, though!)



The film is a little bit heavy handed and syrupy at times (some of the magical realism bits were a bit much), but it's a Christmas movie with great actors and it made me leave the theater with a smile on my face.   Black Nativity is definitely worth seeing at least once and will get you in the holiday spirit, but I think I might prefer to see the play as as Hughes wrote in on an annual basis.


RigbyMel's rating:


2 and a half candy canes