Scrooge (1951)

UK release poster.

Premiered October 31, 1951

This film was released in the U.S. as A Christmas Carol, here's the lobby card.

We now blog about the film that most critics call the best of all adaptations of A Christmas Carol.

But even this version is an not entirely faithful adaptation of Dickens' novel.  

Alastair Sim stars as Scrooge.  

Bob Cratchit is played by Mervyn Jones.

What are the major differences in this adaptation?

The film opens in the London Exchange instead of Scrooge's counting house.  He interacts with some businessmen, telling them that "Christmas has a habit of keeping men from doing business."  Outside the exchange, he encounters a man named Samuel Wilkins (Clifford Mollison), who owes Scrooge 20 pounds he cannot pay.  If Scrooge doesn't give him more time, Wilkins' and his wife will go to debtors' prison.  Scrooge dismisses Wilkins.  This makes Scrooge here arguably even meaner than he is in Dickens' story!

When Scrooge's nephew Fred (Brian Worth) visits the counting house, he doesn't give his usual speech about Christmas.  Scrooge also doesn't get to the utter his usual line about Christmas celebrants needed be boiled in their own pudding with a stake of holly through their hearts.  His interaction with Scrooge is short, followed by a separate visit to Cratchit. 

Michael Hordern as Jacob Marley

During Marley's ghostly visit to Scrooge, we are shown the tormented spirits wandering the earth trying in vain to help living folk.   This scene shows up occasionally in filmed adaptations, but rarely. 

The biggest change in this version is that it fleshes out Scrooge's backstory during the Christmas Past segment.   

Scrooge with the Ghost of Christmas Past (Michael Dolan). 

During Scrooge's time working as apprentice to Fezziwig (Roddy Hughes), a businessman named Jorkin (Jack Warner), who does NOT appear in Dickens' story (or in any other adaptation) tries to buy Fezziwig's business.  Jorkin tries to get Scrooge to poach Scrooge away from Fezziwig by offering him a bigger salary. 

Fan (Carol Marsh) comes to bring Young Scrooge (George Cole) home from school

We also see Scrooge's sister, Fan's death.  Ebenezer is heartbroken, insisting she's going to get well as he walks out. Because of being with the Ghost of Christmas Past, Scrooge learns that Fan wanted him to take care of Fred when she is gone.   As we saw in the opening,  he hasn't done a very good job of this.

Fan's death inspires young Scrooge to accept Jorkin's offer to clerk for him.  He meets Marley, who is already a clerk in Jorkin's business.  Scrooge speaks to Marley about his feeling that the world is "becoming a very hard and cruel place" and that he does not want to be crushed like "the weak and the infirm."  Marley and Scrooge realize they have much in common.  They eventually engineer a hostile takeover of Fezziwig's business.  Scrooge appears to feel  a bit guilty about this, but he refuses to talk to Fezzwig.  Later still, Jorkin is accused of embezzling funds from the company which allows Scrooge and Marley seize control of it.    

In a parallel scene to Fan's death,  Scrooge visits Marley on his deathbed - another scene that does not appear in the book or other adaptations.  Marley tells him they were wrong, but there's still time for Scrooge to save himself.  Once again, young Scrooge doesn't really listen to what the dying person asks of him.  

Scrooge signing Marley's death register

Scrooge's fiancee is named Alice. (Most adaptations call her Belle. Curiously, Dickens doesn't give her a name at all!)  When they discuss money, Scrooge says he loves Alice "because she's poor,not proud and foolish."  Of course, he changes his tune later and loses Alice as a result.  

Young Ebenezer and Alice at Fezziwig's party

When the Ghost of Christmas Present (Francis De Wolff) arrives,  along with the usual visit to the Cratchit's and Fred's homes that we expect,  we actually get to glimpse a scene with coal miners singing  carols around a fire.

Singing carols around the fire in a mining camp

This is part of Dickens' description of Scrooge's journey with the Spirit that rarely makes it into filmed adaptations. 

The Ghost of Christmas Present also shows Scrooge Ignorance and Want.  This is something that's in the book, but not often depicted in film and tv adaptations.

Ignorance and Want.

And in another new addition to the story, Scrooge observes Alice providing services to the poor during "Christmas Present".  

We also get a bit more of Scrooge interacting with Mrs. Dilber (Kathleen Harrison) the housekeeper in this version than is typical.  

J.A. Morris says: 

I've always believed that adaptations of this story are only as good as their Scrooge.  Sim has long been considered the best Scrooge and I have to agree.  Some actors play Scrooge as a mustache-twirling cartoonish villain.  But in Sim's hands, Scrooge is always human, we can relate to him even when we detest what comes out of his mouth.  This makes his nastiness more believable.  

Scrooge in a set that is lit like film noir

I'm not bothered by the expanded backstory.  Every adaptation omits portions of the story or adds new ones.  It would have been fine without the new stuff, but it doesn't detract from Dickens' story.

The rest of the actors are fine in their roles as well.  It's worth noting that two actors are well known to anyone who watched tv and film over the last 40-odd years.  The young Marley is played by Patrick MacNee, best known for portraying John Steed on The Avengers.  And Hermione Baddeley (best remembered for roles in Mary Poppins and Maude) plays Mrs. Cratchit.  Fans of Maude might appreciate seeing what "Mrs. Naugatuck" looked like when she was young. 

Hermione Baddeley as Mrs. Cratchit.

More than 60 years later, Sim remains the best Scrooge and this is still the best adaptation.  

J.A. Morris' rating:

4 candy canes!

RigbyMel says: 

This is a great adaptation of Dickens' classic tale.  Although there are additions to the tale, they serve to enhance and expand upon Dickens' themes rather than distract from them.    

The pacing in this version is interesting since so much time is devoted to the expanded Christmas Past segment.   It almost makes the Christmas Yet To Come part seem like an afterthought! (But what an effective afterthought it is!) 

I also like some of the smaller moments like the scene with the tortured spirits that Marley shows to Scrooge. I think this is the best iteration of this rarely shown aspect of the story that I've ever seen. 

I also love the interplay between Scrooge and Mrs. Dilber   The poor, put-upon woman is completely freaked out by Scrooge's transformation at the end and the scene where he gives her a guinea "for a Christmas present" on the staircase is actually very sweet.  

I also think this film has the Bet. Tiny Tim. Ever.   He's sympathetic and adorable without being cloying.   Kudos to Glyn Dearman for excellent delivery of The Line!  

"God bless us every one!"

This adaptation is also notable for showing up in quite a few subsequent Christmas-y films & programs -  Lethal Weapon,  2 separate episodes of The Sopranos and the "How The Ghosts Stole Christmas" episode of The X-Files to name but a few.

This version of A Christmas Carol definitely captures the "spirit" (pun intended!) of Dickens' story with aplomb and is highly recommended.

RigbyMel's rating:

4 candy canes

Quantum Leap: "A Little Miracle"

Premiered 21 December 1990

Al: He's a real Scrooge.
Sam: Yeah, well, you can say that again.
Al: Scrooge! 
---
Sam: Absolutely. Michael is Scrooge, right? He's alone, he's miserable. It's like, uh, Charles, um...
Al: Dickens.
Sam: ...um, Dickens, it's like he created his character based on this guy.
Al: So?
Sam: So, we Scrooge him.

In this episode from Season 3 of the popular sci-fi tv series,  it is the 24th of December 1962 in New York City.  Our time traveling hero, Sam Beckett (Scott Bakula) has quantum leaped into Reginald Pearson, valet to the mega-rich and mega-mean Michael Blake (Charles Rocket).

Sam's friend Al Calavicci  (Dean Stockwell), who appears as a hologram that (usually) only Sam can see and hear, says that Blake is a corporate raider type, who has "put more people out of work than the Great Depression."

Currently,  Blake's big project is a plan to raze a Salvation Army mission in order to build Blake Plaza, a gleaming skyscraper with his name vaingloriously emblazoned all over it.

Salvation Army Captain Laura Downey (Melinda McGraw) has been trying for months to talk Blake out of tearing down the building.   She has taken matters into her own hands and brought a Salvation Army band to play "Bringing In The Sheaves" in the vestibule of Blake's penthouse.

Downey tries to emphasize the important work that the mission does for homeless and destitute people in that area.   Blake is unimpressed by the mission, but might possibly be a little impressed with Captain Downey herself.  Sam likes her determination and is sympathetic to her cause.   He suggests that maybe they can talk Blake around, despite that fact that Blake has just threatened to fire him.

While cleaning out Blake's closet, Sam and Al discover a box of photos showing that Blake comes from a much humbler background than his current surroundings.  In fact,  he grew up in the neighborhood where the mission is located.   Sam  thinks they should "Scrooge" Blake in the interest of "saving his soul."

Sam brings Blake to the old neighborhood, doing a "Christmas past" bit.   He fakes having a flat tire to get Blake out of the limo and walking around the neighborhood -- many old memories are awakened.  They run into Downey who offers to let him use the mission's phone for help with the flat tire and encounters an old pal from his childhood who is selling chestnuts out on the street.

Blake seems very pensive and stares off into space drinking after his visit to "Christmas Past."  Sam thinks the plan isn't working,  Al thinks it is and suggests that they show him "Christmas Present" next.

Blake thinks his present is just fine.  He brags about having everything that money can buy and how he is the "living embodiment of the American dream."    Sam bets a month's rent that Blake doesn't have everything he really wants and takes him back downtown.

He tries to show that human interaction is better than some cold monument to Blake's ego.

They hear caroling which leads them to the mission where people are singing.  Blake and Sam join in and Blake admits he thinks Capt. Downey is beautiful (!).  He also has a moment with a Tiny Tim-esque moppet who offers him a toy horse named Sheldon.

Things don't go quite according to plan and Blake winds up feeling angry and manipulated, and more determined than ever to go through with the construction of Blake Plaza.

The "Scrooging" continues thanks to a fluke of brain chemistry which allows Blake to see and hear Al (who is normally only visible to Sam).   Sam enlists Al to act as the "Ghost of Christmas Future" to wake Blake up to the error of his ways.

Will Sam and Al be able to redeem Blake so that Sam can leap? Or will additional help from God/Fate/Time/Whatever be needed?

RigbyMel says:

As an impressionable teenager back in the mists of the late '80s/early '90s,  I was a big fan of Quantum Leap, so I remember watching and enjoying this episode when it first aired.   It holds up pretty well today.   The Dickensian overtones are quite strong.

Sam sees who he has leaped into in a mirror - a trope on the show 

Sam leaps into a very put upon Bob Cratchit type servant and we get a plot revolving around showing the Blake/Scrooge character his past, present and future in hopes of redeeming him.  There is an additional objective for Sam though,  he also wants to "put right what once went wrong" so he can leap home.

As with some other tv variations on A Christmas Carol,  the plot centers on characters using any means at their disposal to drag the character in need of transformation on his spiritual journey.  In this take on the story, the technological/brain wave fluke that allows Blake to see Al is key.  Dean Stockwell seems to particularly relish his "Ghost of Christmas Future" role,  hamming it up in quite an amusing fashion.

Al in Ghost of Christmas Future mode shows Blake his potential fate

Some fun trivia:   Melinda McGraw who plays the ingenue Salvation Army captain has gone on to play a major role in ANOTHER show set in the early 1960s --  she plays the rather harder-nosed character of Bobbie Barrett on AMC's Mad Men.  

Melinda McGraw as Bobbie Barrett in Mad Men ... 

 ... and as Capt. Downey in Quantum Leap

The redemption of  Blake doesn't come easily.  In fact, he backslides a lot in this episode before the end and there does seem to be some supernatural rather than technological help that occurs before all is said and done.

The titular "little miracle"? -  The star is NOT one of Al's holographic projections! 

All in all, this is an endearing variation on the themes of A Christmas Carol that is well worth a look or a re-visit.

RigbyMel's rating:

4 candy canes

J.A. Morris says:

Quantum Leap was a show I enjoyed, but I hadn't seen "A Little Miracle" until recently.  It's a very good adaptation of A Christmas Carol. 

As RigbyMel mentioned, Sam's ultimate goal in this series is to leap home to his own time.  He must redeem Blake's soul to continue his journey homeward.  This makes Sam's role here somewhat similar to that of Clarence the angel in It's A Wonderful Life.

Blake sees his future self, bankrupt in the 1970s.

And Sam when says he feels sorry for Blake, he echoes the sentiments of Scrooge's nephew Fred.

The fact that "A Little Miracle" takes place in a more recent time shows us that many never got the message of A Christmas Carol.  There were still Scrooges in the world of 1962 as well as in 1990 (the year the episode was produced) and today.  Since historical allegories are often used to critique the present, it's possible that this episode was meant to be a commentary on the "Merger Mania" that raged on Wall Street in the 1980s and early 90s.

Blake cowers before the Ghost of Christmas Future (aka Al).

In short, "A Little Miracle" is another example of the timeless relevance of Dickens' story.

J.A. Morris' rating:

4 candy canes!