Love The Coopers

Premiered November 13, 2015.

It's Christmas time in Pittsburgh.

Charlotte (Diane Keaton) and Sam Cooper (John Goodman) have been married for 40 years but they have grown apart and have decided to separate. They agree not to tell their family about this until after Christmas.

Their son Hank (Ed Helms) has recently lost his job as a portrait photographer and is having problems paying for Christmas gifts for his kids.  Hank is also coping with life as a single father and has a rocky relationship with his ex-wife Angie (Alex Borstein).

Charlotte's sister Emma (Marisa Tomei) has always lived in the shadow of her big sister and resents this.  Emma wants to get her family a nice, expensive Christmas present in order to impress them. Since she is short on cash, Emma steals a broach from a department store by putting it in her mouth and gets busted for shoplifting.  It looks like she may well be spending Christmas in jail.  Emma tries to convince police Officer Williams (Anthony Mackie) to let her go free.

The Coopers' daughter Eleanor (Olivia Wilde) has also flown in for Christmas, but doesn't want to face her parents alone.  She is currently in a relationship with a married man who is spending the holidays with his "real" family.  Eleanor decides to avoid parental disapproval by hanging out and drinking at the airport bar.  While avoiding her parents, she meets Joe (Jake Lacy), a soldier who is shipping out to combat.  Joe and Eleanor are polar opposites politically and socially, but they find each other intriguing.  His flight is delayed by snow and it looks like he'll be spending Christmas at the airport.  On the spur of the moment,  Eleanor tells Joe he can spend Christmas with her family, if he will pretend to be her boyfriend.  Joe thinks this is a bad idea, but still goes along with the plan.

Meanwhile, Charlotte's father Bucky (Alan Arkin), a retired teacher, eats breakfast every day at a local diner.  This gives him a chance to spend time with a young waitress named Ruby (Amanda Seyfried).  He recommends classic movies to Ruby and they chat and discuss films together.

Ruby shocks Bucky when she announces she will be moving to Hot Coffee, Mississippi after Christmas.  Bucky thinks it's a terrible idea.

Will this multi-generational holiday get-together end in disaster?    Or will the Christmas Spirit get the better of the Cooper clan?

J.A. Morris says:

Love The Coopers features lots of characters and a whole bunch of plots and subplots.  It adds up to a mixed bag.

I've been a big fan of Diane Keaton, John Goodman and Alan Arkin for a long time.  They've done lots of great work over the years and sometimes elevated lesser films.

Their presence is the best thing in the movie.  Goodman and Keaton are believable as a couple that's been together for 40 years but (apparently) fallen out of love.  Steve Martin serves as narrator, which adds some gravitas to the film.

The Coopers' St. Bernard Rags is an entertaining "animal actor" and a welcome presence.

Rags begs for food from Aunt Fishy (June Squibb)

With so many characters, it's not surprising that some are underdeveloped.  Ruby seems to exist for little more reason than to give Bucky someone to admire.    The scenes that feature Emma with Officer Williams feel like they were phoned in from another movie.

The soundtrack of Love The Coopers is pretty good and makes the movie more enjoyable.  It contains lots of new and old recordings of Christmas songs, my favorite of the bunch being Otis Redding's "Merry Christmas Baby."  Sting's recording of "Soul Cake" is a nice surprise.  It also features three songs performed by Bob Dylan that have nothing to do with Christmas, but they're still great songs.

If you're a fan of Christmas movies and/or a fan of the actors featured, Love The Coopers is worth seeing.  But the lack of character development for half the cast makes it something that  .

J.A. Morris' rating:







.5

2 and a half candy canes.

RigbyMel says:

This movie has a great cast, but unfortunately the material they are given to work with is just a bit too cliched to make it a great movie.  Not an un-watchable movie, but not a great one.

The many, many characters all feel believable, but each beat of the plot is something we've all seen dozens of times before.  Eleanor and Joe are polar opposites - he's a conservative Christian and she says the only god she believes in is the voice of Nina Simone.  They conspire to deceive her family and (SPOILER - but not a surprise) start to fall for each other in the process.  

Emma has an impromptu psychological session with Officer Williams as he's driving her to jail.  We learn that both of them have issues (surprise, surprise) and that they both are lonely during the holidays.  We get scenes with awkward teens, bickering exes, running gags involving a small child being rude, singing around a Christmas tree (more than once!).   It's like a checklist of holiday tropes, but because of the caliber of the actors involved the movie actually works better than perhaps it should.  The performances make you care about the characters.

Something that I enjoyed about the movie was the way that we see people's Christmas "ghosts", memories of the past that are briefly seen (or imagined) by the various characters throughout the film.  Christmas is most decidedly a holiday about nostalgia and memory and I thought the way the film handled these "Ghosts of Christmas Past" was cool.

To be fair,  a lot of Christmas movies rely on tropes.  Everyone can relate to family drama around the holidays.

Interestingly,  the "You can't regift a family" tagline on the poster (see above) leads one to think this is going to be more of a broadly comedic movie than it, in fact, is.  There is comedy, but it's gentle rather than broad and focused on interactions between the many characters.

If you love holiday films, Love The Coopers is worth seeing at least once, but I don't know that it absolutely needs to be seen on a big screen.    Maybe wait to catch it on cable or streaming next Christmas?

RigbyMel's rating:

2 candy canes

The Office: "St. Patrick's Day"

Michael Scott says "Top o'the mornin'" (in a horrible "Irish" accent) to Erin and the viewers.

Premiered March 11, 2010. 

"It is St. Patrick's Day.  And here in Scranton, that is a huge deal.  It is the closest that the Irish will ever get to Christmas."
-Michael Scott 

It's St. Patrick's Day and the staff of Dunder Miflin are decked out in green and in a festive mood.  Except for Angela (Angela Kinsey) who is wearing white and "protesting" St. Patrick's Day.  

Michael Scott (Steve Carell) wants to let everyone leave on time so they can gather at Shanny O'Gannigans, a nearby Irish pub, to celebrate and consume green booze.  But company CEO Jo Bennett (Kathy Bates) has other ideas.  

Erin (Ellie Kemper) gives out green M & M's, Michael calls them "Nature's Viagra."

Michael has been kissing up to Jo all day, telling her he can't wait to visit her in Florida.  (Jo made the mistake of issuing a polite "invitation" to visit, which Michael, naturally, takes to be sincere.)  She hangs around the Dunder Mifflin because she is a workaholic herself and hopes to encourage Michael to be a more productive manager.  As a result, none of the rest of the staff feels comfortable leaving before they do.

Jo Bennett with a friend.

Meanwhile, Andy (Ed Helms) and Erin are getting ready for their first date.  Darryl (Craig Robinson) finds himself promoted from the warehouse to a desk job.  And Dwight (Rainn Wilson) does battle with Jim (John Krasinski) over "MegaDesk."

Andy tries to impress Erin with his "kilt" (actually his sister's field hockey skirt!)

Will Michael summon up the courage and maturity to dismiss his employees?  Or will Jo's work habits ruin St. Patrick's Day for everyone?

J.A. Morris says:

This a good episode of The Office.  We get one of the rare signs that Michael has grown at all since the first season when he (sort of) stands up to Jo.  Of course he spends most of the episode acting like an idiot, saying inappropriate things about the staff, and kissing up to Jo, so his "growth" is relative.

But at least the workers get to celebrate St. Patrick's Day.

Creed (Creed Bratton) and Meredith (Kate Flannery) dance a "jig".

The main problem I have with this episode is the same problem I have with most episodes.  The "documentary" concept is strained.  I'm not sure why a documentary about an "American Workplace" would spend so much time in the homes of the workers.

If you enjoyed The Office, you should revisit "St. Patrick's Day" now or on a St. Patrick's Day in the future.

J.A. Morris' rating:

3 shamrocks

RigbyMel says:

I don't know if I have a lot more to add to my co-blogger's comments above, but here are a few thoughts:

The Office trades on awkward situations and St. Patrick's Day (as presently celebrated in the U.S.) certainly has the potential to create awkwardness.    So, the holiday and the show are a good fit for each other.

Drinking green shots with co-workers on St. Patrick's Day -- is this really a good idea? 

I tend to enjoy the winking asides, lack of self-awareness of most of the characters and the ridiculous in-fighting between co-workers (particularly Dwight and Jim) more than the specific plots of most episodes of the series,  but this one is definitely entertaining to watch.    Elements of The Office are certainly recognizable to most people who've worked a desk job, although I do think that our band of office misfits probably hangs out after-hours a lot more than is common in most workplaces.   Most of us can relate to unreasonable demands from higher-ups like Jo,  even if the situation is exaggerated for comedic effect.

Jo holds a "town hall meeting" to solicit ideas from staff -- is this really a good idea? 

I liked this episode and the St. Patrick's Day elements serve to heighten the silliness.   It's worth re-visiting if you have the time or inclination.    This episode currently streams on Netflix, pops up in re-runs and is available on DVD.

RigbyMel's rating:

2 and a half shamrocks